Critically accliamed film gets scant U.S. distribution
‘Paradise Now’—a Palestinian view of suicide bombings
By
Joyce Chediac
Published Jan 29, 2006 7:38 PM
Who are the Palestinians who blow themselves up
for their cause? Why do they do this?
Are they “terrorists,”
“fanatics,” “cowards”? People who come from a place
where “life is cheap”? This is what the U.S. media say, but the
voices speaking are not Palestinian; they are the self-proclaimed “Middle
East experts” from the Bush administration, or from pro-Washington think
tanks.
What do Palestinians have to say about the people in their
communities who volunteer for suicide missions?
If you want to know, then
run, don’t walk, to see the independent film “Paradise
Now.”
This Arabic language, subtitled film—shot in 2005 on
location in Nablus—just won the prestigious Golden Globe award for best
foreign language film and is Palestine’s entry to the Academy Awards. It
is “a real, deep and intense personal view of how normal young men make
the decision to do something so unimaginable,” according to the director
Hani Abu-Assad.
Paradise Now is a riveting suspense story, with touches of
humor. The film covers 48 hours in the lives of Said and Khaled, childhood best
friends, who work as auto mechanics. Said and Khaled receive word that the
suicide mission for which they volunteered some time ago will take place the
next day. As they requested, the friends will be doing it together.
They
are fitted with explosive vests and set out for their mission. But things do not
go according to plan. The two men are separated. In the frantic dash from place
to place to set things right, Khaled and Said deeply and movingly begin to
question and explore their motivation for what they are doing.
Shot on
location in Nablus, the film allows the viewer to enter the lives of the people
who live there, and to get a glimpse of life after 40 years of Israeli
occupation. We see the humiliation of going through an Israeli checkpoint, the
danger involved in sneaking through a heavily patrolled portion of the wall
Israel has built to seal Palestinians into tiny areas.
We visit the
impoverished homes of Said, Khaled and their families. We sit at the table with
them to eat. We see what they do for entertainment; we are with them at work. We
see the unpredictability of life due to ever-changing Israeli roadblocks. We
walk with the characters through the streets of Nablus, the second largest city
on the West Bank and formerly a pride of Palestine, now with large areas reduced
to rubble by Israeli missiles.
The film’s director, Hani Abu-Assad,
is a Palestinian born within the Israeli green line, in the city of Nazareth.
The film was produced by Bero Beyer, who is based in Amsterdam, and Amir Harel,
who is Israeli. The leading characters, Said and Khaled, are played by
Palestinian theater actors Ali Suleiman and Kais Nashef. Warner Independent
Pictures distributes the film in the United States.
In accepting the
Golden Globe, Abu-Assad said he saw the award not only as recognition of the
film, its cast and crew, “but also as recognition that the Pales tinians
deserve their liberty and equality unconditionally.”
Abu-Assad
strived to keep the film close to reality. “I read the interrogations of
bombers who failed, an interview with a lawyer in a jail where they are held,
and the report of the Israeli officials,” he explained. “I spoke to
people who knew the bombers who died: friends and families and mothers. I
learned no story is the same as the others. (The Guardian, Feb. 12)
This
2005 film has also won other awards, including the Amnesty Inter nat ional Film
Award, and best foreign film awards from Independent Spirit, the National Board
of Review and the Dallas-Fort Worth Film Critics Association Board. The
movie’s artistic merits are all the more impressive since it was made in a
war zone. Nablus has the highest number of casualties, the most severe physical
damage and the most intensive restrictions in movement in the West Bank,
according to a recent United Nations report. A land mine detonated 300 feet from
the film’s production.
If the film is not playing in your city, it
is well worth it to wage a struggle to get your local independent movie center
to carry “Paradise Now.” You may have no other choice. In searching
the web, this writer found the film only playing in eight U.S. cities.
(www.imdb.com)
On Jan 22, “Paradise Now” was seen in one
theater each in New York City; Mont clair, N.J.; Los Angeles; Denver; and
Albany, Ore. The film was also viewed in one-time showings in Pilot Grove, Mo.,
and Occidental and Santa Rosa, Calif.
The DVD, however, comes out in
March.
The people of the United States have a right to hear Palestinian
views, in art and in politics. But this takes struggle.
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