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‘Global Assembly Line’ highlights women workers
Published Mar 16, 2007 7:19 PM
An International Women’s Day forum in Los Angeles on March 10
highlighted women’s leadership around the world in struggles for national
liberation and against specific oppressions as women and as workers under
capitalism. The March 25 Coalition for immigrant rights and the International
Action Center-Los Angeles hosted the program.
From left: Bev Tang, Anakbayan; Gloria Verdieu; Rosa Pisani, Maggie Vascassenno, IAC -LA ; Martha Rojas,
March 25 Coalition; Terri Cervas; Alma Castro; Shailendria Shakur, IAC -LA; and Sahar Khanian.
WW photo: Bob McCubbin
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Gloria Verdieu of the IAC-San Diego opened the program with remarks on the
complexity and variety of women’s roles in cultures around the world. She
also explained the communist origins of International Women’s Day.
Terrie Cervas of Habi Arts, and the Southern California coordinator of the
progressive Filipino organization BAYAN-USA, discussed women in the Philippines
within the context of their contribution to their national liberation struggle.
She showed photos of militant Filipino protests against U.S. domination as well
as domestic political violence, including photos that documented the political
assassinations of women activists.
Alma Castro, youth organizer of the March 25 Coalition, gave a moving
multi-media presentation with projected photos and text showing the quest for
justice and accountability for the Mujeres de Juarez, the many women working in
the Mexican border town of Juarez who have been disappeared and killed.
Participants also viewed “The Global Assembly Line,” an
Emmy-Award-winning film that documents the impact of the global capitalist
economy on workers employed in exploitative “free-trade zones” from
Tennessee to the Philippines and the Mexican border.
The program closed with discussion on preparations for the March 17
demonstration against the U.S. war in Iraq and for the May Day 2007
immigrant-rights movement’s call for a mass turn-out against the raids
and deportations.
—Maggie Vascassenno
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