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POLITICS, FORTUNE AND THE MEDIA

Behind the myth of the 'Kennedy curse'

By Monica Moorehead

The accidental death of John F. Kennedy Jr. in the crash of his small plane has produced the kind of intense media coverage not seen since the untimely death of Britain's Princess Diana.

In the arena of media attention, of course, it helps if you are a straight, white male who is filthy rich and considered attractive. Most important of all is if you come from a ruling-class family that has been idolized as the closest thing to royalty within a bourgeois democracy.

Although Kennedy is survived by his sister, Caroline, who has three children, one of the main issues raised by the media is that there will no male heirs to bear the JFK name.

The death of Kennedy along with his wife, Carolyn Kennedy, and her sister, Lauren Bessette, played out like a real-life soap opera as the major networks traced every move of first the search-and-rescue efforts and then the search-and-recovery efforts in the Atlantic Ocean off Martha's Vineyard.

The news media, in collusion with the Coast Guard and National Transportation Safety Board, took advantage of this tragedy by making a concerned public believe there was some hope of survivors long after that was impossible. The motive was obvious: It insured constant viewing.

With the United States leading the way in the globalization of the media, more people from around the world were able to tune in to this unfolding development. This meant fabulous ratings for the U.S.-based networks--which shifted away from their regular programming within an hour after the airplane was first reported missing on the morning of July 17.

Higher ratings mean more profits. During the weekend coverage of the accident, NBC's ratings tripled and ABC's doubled.

No other U.S. ruling-class family has taken on such a mythical quality during this century as the New England-based Kennedys. The patriarch, Joseph Ken nedy, became a national political figure when he was named U.S. ambassador to England during World War II. Kennedy had made his fortune during Prohibition as a well-known bootlegger who took in millions of dollars selling illegal alcohol through the organized-crime syndicate. As ambassador, he was a notorious Nazi sympathizer.

After his son, John Fitzgerald Kennedy, became the first Catholic U.S. president, the media began heralding the launching of a "Camelot" era in U.S. capitalist politics--treating the wealthy JFK as a virtual king, but one with a common touch. Kennedy was characterized as a liberal sympathetic to the civil-rights struggle, which was rapidly growing and becoming more militant.

Despite Kennedy's liberal image, however, his administration worked overtime in futile attempts to overthrow the Cuban revolution. And it began the ill-fated war in Vietnam.

When President Kennedy was assassinated in 1963 during a turbulent period in U.S. history, the media covered up what was worrying millions around the country: the involvement of a violent right-wing movement which had been openly agitating against him, and the collusion of the Dallas police in letting a petty hoodlum, Jack Ruby, shoot Lee Harvey Oswald before there could be an investigation or trial. The police had declared Oswald to be the assassin.

Instead, the media focused on the Kennedy family's personal tragedy, repeatedly showing the 3-year-old John F. Kennedy Jr. saluting his father's coffin, as they are doing again today. Over the years, the corporate media have obscured the broader political questions involved in the assassinations of both JFK and his brother Robert by lumping them together with more mundane accidents in the family and talk of a "Kennedy curse."

The celebrity coverage of ruling-class figures and their heirs serves as a class diversion from the real issues that affect the masses. When is the last time you have seen 48-hour coverage on police brutality, the health-care crisis, the prison-industrial complex, or the life-and-death impact of the current heat wave?

This article is copyright under a Creative Commons License.
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